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Inspired by the history of the theatre mixed with the modernity of its new creative director Ruth Mackenzie. In other words, past and future have an olfactory dialogue on the velvet seats of the Parisian landmark in the tradition of Comme des Garçons anti-perfumes.
Perfumer Caroline Dumur brings this intricate scent to life with a blend of ambrette absolute, black pepper oil, rose oxyd, coffee accord, orange blossom, orris concrete, cashmeran, cedarwood virgina and musk.
The second anti perfume. A deeping of the research into solid phase micro technology cloning inorganic smells from modern daily life and mixing them with natural ingredients. Inspired by the smell of dust on a Hot Light-Bulb, Warm Photocopier Toner, Hot Metal, A Toaster, Freshly Welded Aluminium, The Ink in a Fountain Pen, Fresh Pencil Shavings, Wood and Moss, Bay Leaves and Bamboo, White Pepper, Hyacinth and Lettuce Juice.
An abstract anti perfume. The latest technology is used to clone odours from inorganic materials. Smells never before used, with no precise name only abstract ideas. The fragrance is inspired by the Freshness of Oxygen, Flaming Rock, Freshly Mowed Grass, Wash Drying in the Wind, Sand Dunes, Pure Air of the High Mountains, Flash of Metal, Nail Polish.
Based on the rituals of the proto-Mississippian death cult of the 1200s. Native birch tar, viola and white spruce grounded in incense and cypress root.
The same smell and sensation enjoyed while staying with friends in Batroun, Lebanon is captured in this fragrance. It’s warm, inviting and at times a little sharp just like the country.