The critically acclaimed Danish artist group Superflex, founded in 1993 by Jakob Fenger (born 1968), Bjørnstjerne Christiansen (born 1969) and Rasmus Nielsen (born 1969), create humorous and playfully subversive installations and films that deal with financial crisis, corruption, migration and the possible consequences of global warming; they often root their projects in particular local situations, inviting the participation of viewers.

This catalog accompanies the group’s first major museum survey in the United States and highlights video, sculpture and installation works relevant to the history, present and future of cities such as Miami, poised on the leading edge of pressing issues such as climate change and immigration.

Superflex: We Are All in the Same Boat includes an introduction by the exhibition‘s curator, Jacob Fabricius, Artistic Director of Kunsthal Aarhus, essays by Stephanie Wakefield and Gean Moreno and George Yudice, plus a fictional text about water, flooding and the future of Miami by science fiction writer Mark von Schlegell.

Specifications - 192 pages. paperback.

The sculpture and paintings of 1970–4 are the subject of this third volume of the catalogue dedicated to publishing the complete paintings, sculptures and drawings of Andy Warhol (1928–87). As authoritative and detailed as the highly praised first two volumes, here Warhol's sculptures and paintings of these four years are comprehensively catalogued and illustrated.

Early in this period Warhol was concentrating on film and sculpture, as he had been since being shot in 1968, but by late 1971 or early 1972 he was returning to painting and developing his painterly, 'sloppy and fast' style.

The volume covers major sculptures, such as the Rain Machine, the series of paintings Mao and Man Ray, and commissioned portraits of important, celebrated and fashionable people of the day – many from Warhol's travels through Europe during this time. It is a time of great transition for Warhol, including developing his relationships with various media and the impact of his first purchase of a Big Shot Polaroid camera. His diaries and the photographs he took on travels and of his subjects enliven the narrative and give intriguing insights into his works of these years and his unique engagement with the culture and society of that time.

Specifications - Hardcover. 572 pages. 31.8 x 8.3 x 36.2 cm.

Hot on the heels of one of the most talked-about jazz books in years, comes the musically-enhanced, strictly limited Collector’s Edition. Slipcased with vinyl re-issues of ten legendary recordings on Verve, this is an exceptional opportunity to own a unique slice of jazz history.

All recordings remastered at Abbey Road Studios. Pressed onto 180g heavyweight vinyl for optimum sound quality. All album sleeves printed with stunning original artwork. Packaged in a dual-compartment cloth-bound display case.

Strictly limited to 500 copies worldwide. Signed by the author. ‘A gloriously lively history of jazz; the book’s design almost makes you hear the music as you read’ Observer, Books of the Year 2013

A sweeping history of Los Angeles told through the lens of the many marginalized groups--from hobos to taggers--that have used the city's walls as a channel for communication.

Specifications - Format: Hardcover. 320 pages.

Porsche 911: The Ultimate Sportscar as Cultural Icon explains how this German car became a global phenomenon and a symbol of aspiration, freedom, and the appetite for perfection, and even more, why, around the world, the 911 continues to fascinate gentlemen, ladies, and rogue drivers. In this book, Ulf Poschardt sends Porsche drivers to the shrink and concludes that a little narcissim can be a healthy thing; he then takes them on an engaging journey through the checkered history that defines their pride and joy. Not everyone can, nor indeed should, drive a Porsche, but Porsche 911: The Ultimate Sportscar as Cultural Icon lays bare the raw driving force behind the 911 for anyone intrepid enough to discover.

Specifications - Full color, hardcover, 240 pages.

Mona Kuhn: Works is the first retrospective by one of the most respected and widely exhibited contemporary art photographers at work in the world today. Over a career spanning more than twenty years, Kuhn’s underlying theme has always been humanity’s longing for spiritual connection and solidarity. She is renowned for developing close relationships with her subjects, resulting in images of remarkable intimacy. Her use of playful visual strategies reveals glimpses into the psyche as it is expressed through the human form, ultimately reinterpreting the nude in the canon of contemporary art.

Featuring images from throughout Kuhn’s career, including previously unseen work, this book introduces her distinct aesthetic to a wide, popular audience. Texts by Rebecca Morse, Chris Littlewood, Darius Himes and Simon Baker, and an interview with Elizabeth Avedon, offer invaluable insights into Kuhn’s creative process and the ways in which she works with her subjects and settings, and achieves the visual signature of her imagery. Mona Kuhn: Works is an essential volume for anyone with an interest in the human form in contemporary art.

Specifications - 240 pages. Hardcover.

Join us on a surfin’ safari through the sun-kissed golden years of surfing in this collection of photographs from the Hawaiian and Californian coastlines. Photographer LeRoy Grannis got right in the midst of the action with his primitive on-board cameras, ready to capture all the thrills, spills, and excitement of life riding the waves.

Collector’s Edition limited to 1000 copies worldwide, numbered and signed by LeRoy Grannis

From 1978 to 1981, David Freund analysed the culture, architecture and landscape of gas stations in more than forty states. The photographs show customers and workers in postures and actions peculiar to gassing up, or just hanging out. Regional landscapes hold and surround gas stations, each with its own landscape of designed plantings or scrappy volunteers. Stations were also outposts for American networks other than petroleum, seen in telephone booths, mailboxes and powerlines. These and all that surrounds them spark recognition and recollection, accruing as elements of a nonlinear American narrative. While Freund’s primary concern is for his photographs to engage and surprise, he acknowledges nostalgia and uses it to imbue his subjects with a compelling sense of belonging.

Specification - Four hardcover books in slipcase. 720 pages, 574 images.

Specifications - Soft cover. Language: English. Biannual bookazine.