Goldwin
These hiking trousers are made from sturdy, supple CORDURA nylon and feature a mobility-focused design. This pants features zippered cargo pocket on upper right thigh.
Specifications - 100% nylon. Made in China. Measurements (size M) - Waist: 88 cm. Length: 102 cm.
Color - Black
Stylecode - GM73352
Goldwin
These hiking trousers are made from sturdy, supple CORDURA nylon and feature a mobility-focused design. This pants features zippered cargo pocket on upper right thigh.
Specifications - 100% nylon. Made in China. Measurements (size M) - Waist: 88 cm. Length: 102 cm.
Color - Ink Navy
Stylecode - GM73352
Goldwin
One Tuck Tapered Stretch Pants is comfortable and practical in a variety of situations. The waist design has been updated with the original buckle specification.
Specifications - 100% Polyester. Made in China. Measurements (size M) - Waist: 84 cm. Length: 102 cm.
Color - Black
Stylecode - GL73172
Goldwin
Cordura Stretch Cargo Pants is made from sturdy, supple CORDURA nylon and feature a mobility-focused design deal for hiking. This pant features buckled waist and cargo pockets on both upper thighs.
Specifications - 96% nylon, 6% Spandex. Made in China. Measurements (size M) - Waist: 86 cm. Length: 102 cm.
Color - Mill Green
Stylecode - GM73353
Heart
Death and disaster (Maurice Blanchot: Excerpts from The writing of the disaster). Fame and death (Mathilde Helnæs: Images of fame). The indefinite art of Andy Warhol (Toke Lykkeberg: No key, no prison, how Andy Warhol likes the world). Warhol the artist (Blake Gopnik: In the future, everyone will be world-famous for 15 minutes - Andy Warhol (or very possibly not). Glenn O'Brien: Excerpts from Interview magazine June 1977, Andy Warhol). Warhol the man (Judith Butler: Excerpts from Bodies that matter - on the discursive limits of "sex". David Bowie: Andy Warhol : from the album Hunky Dory. Jørgen Leth: Excerpts from Mine helte). Sexuality and religion (José Carlos Diaz: Intimately Warhol. Adelaide Mena: Excerpts from Pop artist, provocateur, catholic, who was Andy Warhol? Excerpt from The Andy Warhol diaries). Obituaries
Specifications - Hardcover. 164 pages.
steidl
Me and My Brother was Robert Frank’s first feature length film, completed and first shown in 1968 at the Venice Film Festival. Everything which had defined Frank’s art up to that point turns up in this film – the look at America “from the outside”, the poetic libertinage of the Beats, the marginal in a central role. It celebrates the return of the poetic essay as assemblage, the affirmation of the underground as a wild cinematic analysis in the form of a collage, and skillfully weaves together opposites, plays counterfeits against the authentic, pornography against poetry, acting against being, Beat cynicism against hippie romanticism, monochrome against colored. The story contains bizarre twists and turns, and appears to be a rather artless-film-within-a-film being shown at a rundown movie theater. This previously unpublished book includes stills and dialogue from Me and My Brother, together with a DVD of the re-edited 85 minute film.
Specifications - Softcover. 56 pages. Measurement: 25 ×32.5 cm
Hatze Cantz
A multistoried apartment building. Its plaster is grayish beige and exudes a kind of petit-bourgeois tristesse; it has the requisite carpeted balcony railings, the lone flower box, even the deckchair is there. A familiar view. It is only on second glance that we see that something is wrong. All of the balcony doors lead to nowhere, and in turn, the balconies themselves cannot be accessed.
German photographer Frank Kunert (*1963 in Frankfurt/Main) has not uncovered any sort of architectural scandal. With Balcony is one of the works that sensitively and enigmatically turn familiar narrative contexts upside down and question reality itself. Far from being simply photographic satire, Kunert’s miniatures give three-dimensional form to puns on thoughts and words, making them tangible in the truest sense of the word. Kunert spends weeks constructing his model sets down to the smallest detail and then photographs them in his studio—in the process, creating the antithesis of worn and hackneyed concepts and ideas.
Specifications - Hardcover. 72 pages. Measurement: 22.5 × 22.5cm
James Jarvis, Russell Waterman
For the past 8 years British illustrator James Jarvis has been creating three-dimensional casts of characters for the Silas, World of Pain and In-Crowd plastic toy series. Now, inspired by classic cartoons like Tintin and Asterix, he introduces us to a set of new characters in storybook form. Vortigern s Machine is a new Jarvis universe full of psychedelic adventures, mystical insights and much magic. The story sees the adventures of two 12-year-old friends who, when faced with the problems of their 21st century existence, seek the help and guidance of their friend and mentor, Mr Vortigern. Vortigern is a gentleman of great wisdom who lives in a large Victorian house together with his giant orange cat. He is also the owner of a magic slide machine which opens the way into alternative dimensions and mysterious, fantastical worlds. The two friends venture forth, into these magical light projections, and in their quest to the answer to one of life s great unanswered questions, they encounter many new characters including explorers, hippies, a giant angry gorilla, mystical monks and a troll called Kevin. Somewhere between Alice in Wonderland and Lord of the Rings, with a twist of eccentric English humour, Vortigern's Machine will cement James Jarvis's universal appeal. Story by Russell Waterman
Specifications - 48 pages. Measurement: 21 × 29cm
Phaidon
Robert Massin (b. 1925) is a highly influential French graphic designer and writer. He has worked with many famous authors and playwrights, including Eugène Ionesco, Blaise Cendrars, and Raymond Queneau, and for twenty years has been the art director for the pre-eminent French publisher Gallimard. This is the first monograph published in English on the work of Massin, one of the key exponents in the development of post-war graphic design. Wolff charts Massin's wide-ranging career with detailed discussion of some of his most inventive and exciting projects, including the award-winning THE BALD PRIMA DONNA (1964) and LETTER AND IMAGE (1970). Wolff carried out her research in close collaboration with Massin, gaining unrivaled access to the Massin collection in Chartres as well as the designer's personal archives. MASSIN includes preparatory sketches, letters, and finished works, photographed especially for this book.
Specifications - Hardcover. 216 pages.
Noam Griegst
Specifications - Hardcover. 120 pages. Measurement: 21.5 × 28 cm
Bobbito Garcia
Twenty years after its first release, and a decade since the most recent edition, this timeless, definitive volume on sneaker culture is finally back in print. Lavishly illustrated and remarkably comprehensive, Where'd You Get Those? is an insider's account that traces New York City's sneaker culture back to its earliest days. Describing how a small and dedicated group of sneaker consumers in the 1970s and early '80s proved instrumental in establishing current corporate giants such as Nike and Adidas, sneaker aficionado Bobbito Garcia writes with exactitude and affection.
Chronicling the rise of sneakers through the lean years of the '60s, the bulk of the book examines nearly 400 sneakers released in the golden years of 1970-87, via information-packed entries for each model, including all color combinations available, nicknames of particular shoe models, relevant athlete endorsements, and running commentary and stories from a rogues' gallery of fanatics who weigh in on the pros and cons of each sneaker. Through lifestyle chapters such as "Arts and Crafts" (which details the process of customizing sneakers) and "Thou Shalt Not" ("The No-Nos of New York Sneakers"), Where'd You Get Those?interrogates this enduring subculture from every angle. This 20th anniversary classic edition features the cover artwork from the first edition, as well as essays collected from the 10th anniversary edition.
Specifications - Hardcover. 208 pages. Measurement: 26 × 21 cm
steidl
Sean Scully uses pastels to create abstract works in emotive response to color. This beautifully produced two-volume set, which accompanies the traveling exhibition Wall of Light, which starts at the Phillips Collection in Washington, D.C. then travels to The Modern in Fort Worth, Texas and The Cincinnati Museum of Art in Cincinnati, Ohio, and ends at The Metropolitan Museum of Art in New York, brings together 100 of those subtle and ecstatic celebrations, along with four written pieces about them by Arthur Danto, who has been tracking Scully's work for a dozen years. Danto is Johnsonian Professor of Philosophy at Columbia, and has since 1984 also been the art critic for The Nation. His contributions here range from catalogue texts for some of Scully's most significant exhibitions to a Nation piece, and are brought together here for the first time, allowing readers to trace the history and development of a major artist in the writings of one of America's leading art critics. Among Danto's insights are that "Scully's historical importance lies in the way he has brought the greatest achievements of Abstract Expressionist painting into the contemporary moment." He also comes bearing secrets from the artist: "Pastel involves rubbing friable chalk over toothed paper, which in its nature confers a certain sparkling luminosity to the forms, and it is responsive to differences in pressure. The principle of pastel, Scully once told me, is that of putting on makeup.
Specifications - Hardcover. 232 pages. Measurement: 8.3 × 6.3cm
