Vitamin PH
Phaidon
Photography continues to be a central part of international artistic practice. Over the past ten years it has experienced radical changes, in part due to the rise of digital technologies. Photography is now often engaged in by artists who are not just printing in a darkroom, but using the medium as a single aspect of a larger ouvre, as one of several media under exploration.Vitamin Ph focuses on diverse global developments in 'art' photography through the work of 121 contemporary artists, who were nominated by 78 international critics, curators and artists. These selections will be accompanied by a 5000 word introductory text by TJ Demos, aiming to explore ideas relevant to contemporary photography with reference to the works included in the book. In addition, the work of each photographer/artist will be introduced by a short commissioned text of approximately 500 words. Similar in concept, scope and structure to Vitamin P and Vitamin D, Vitamin Ph presents, in A to Z order, artists who have emerged, or in some instances re-emerged, in the last five years using the medium of photography.
Specifications - Hardcover. 352 pages.
Loretta Lux
aperture foundation
Though the sense of realism in German photographer Loretta Lux's striking portraits of children remains eerily intact, Lux does not strive to create faithful photographic representations of her young subjects. Instead, each image–invariably comprised of a lone child in a sparse landscape–is painstakingly composed and manipulated to create psychically charged explorations of the nature of childhood and the process of self-discovery.
Originally trained as a painter, Lux continues to draw influence from paintings by Old Masters such as Velasquez, Goya, and Runge. This influence is especially apparent in Lux's compositions. After carefully choosing the models, costumes, and backdrops–sometimes using her own paintings–she digitally combines and enhances each element to form meticulously structured tableaux. The consistently forlorn expressions of her models combined with the hyperreality of the image create portraits that transcend their subjects and remind us that childhood is as chaotic and multidimensional as any other part of life.
Loretta Lux was born in Dresden, Germany in 1969 and currently lives and works in Ireland. Her work has been exhibited extensively and is included in several collections in Europe and the United States, including the Los Angeles County Museum of Art, the Brooklyn Museum of Art, the Museum of Fine Arts, Houston, the Norton Museum of Art, the Bayerische Staatsgemäldesammlung, Munich, Artothek Munich, Photo Museum Munich, and Fotomuseum Den Haag.
Specifications - Hardcover. 96 pages. Measurement: 31 × 27cm
Massin
Phaidon
Robert Massin (b. 1925) is a highly influential French graphic designer and writer. He has worked with many famous authors and playwrights, including Eugène Ionesco, Blaise Cendrars, and Raymond Queneau, and for twenty years has been the art director for the pre-eminent French publisher Gallimard. This is the first monograph published in English on the work of Massin, one of the key exponents in the development of post-war graphic design. Wolff charts Massin's wide-ranging career with detailed discussion of some of his most inventive and exciting projects, including the award-winning THE BALD PRIMA DONNA (1964) and LETTER AND IMAGE (1970). Wolff carried out her research in close collaboration with Massin, gaining unrivaled access to the Massin collection in Chartres as well as the designer's personal archives. MASSIN includes preparatory sketches, letters, and finished works, photographed especially for this book.
Specifications - Hardcover. 216 pages.
Mean-While Now
Space Poetry
"Ebbe Stub Wittrup har lavet en ny fotobog i 3 afsnit. Cool og psykedelisk og cool igen"
Specifications - Hardcover. 80 pages. Measurement: 23 × 30.5cm
Adolf Loos - Works and Projects
Ralf Bock
Adolf Loos (1870-1933) was an early-20th century Viennese architect for his radical facades and for his writings. In this volume, Ralf Bock reveals for the first time the sensuality of Loos’ interior designs, demonstrating that Loos was not an architect of the “white modern movement” but rather fought against it as he saw the work of purism move in the opposite direction of what he had envisioned.
He believed in culture, comfort, intimacy and privacy. He advocated the evolution of tradition and utility, and not revolution and the permanent invention of formal design. This book offers a careful analysis of Loos’s ideology and oeuvre. It features 30 existing projects through 160 extraordinary full-colour images by the celebrated French photographer Philippe Ruault, who completely re-photographed the existing works of the Viennese master. These new images offer different impressions and interpretations of Loos’ interior works and bring him back to the centre of contemporary architectural debate. The colour photographs are supplemented by archival photos from the Loos archive of the Albertina, Vienna. Other unique aspects of the book include profiles of Loos’ clients and their relationship with the architect, interviews with people who inhabit Loos’ work today, and a completely new set of project drawings with the original interior design and analyses.
Specifications - Hardcover. 312 pages. Measurement: 28 × 24 cm
Still Going Life Color
Noam Griegst
Specifications - Hardcover. 120 pages. Measurement: 21.5 × 28 cm
Louisianas arkitekt
John Pardey
About architect Vilhelm Wohlert's (b. 1920) architecture projects in Denmark and abroad. Especially about the Louisiana art museum north of Copenhagen, which he designed together with the architect Jørgen Bo.
Specifications - Hardcover. 214 pages. Measurement: 31 × 27 cm
Where'd You Get Those?
Bobbito Garcia
Twenty years after its first release, and a decade since the most recent edition, this timeless, definitive volume on sneaker culture is finally back in print. Lavishly illustrated and remarkably comprehensive, Where'd You Get Those? is an insider's account that traces New York City's sneaker culture back to its earliest days. Describing how a small and dedicated group of sneaker consumers in the 1970s and early '80s proved instrumental in establishing current corporate giants such as Nike and Adidas, sneaker aficionado Bobbito Garcia writes with exactitude and affection.
Chronicling the rise of sneakers through the lean years of the '60s, the bulk of the book examines nearly 400 sneakers released in the golden years of 1970-87, via information-packed entries for each model, including all color combinations available, nicknames of particular shoe models, relevant athlete endorsements, and running commentary and stories from a rogues' gallery of fanatics who weigh in on the pros and cons of each sneaker. Through lifestyle chapters such as "Arts and Crafts" (which details the process of customizing sneakers) and "Thou Shalt Not" ("The No-Nos of New York Sneakers"), Where'd You Get Those?interrogates this enduring subculture from every angle. This 20th anniversary classic edition features the cover artwork from the first edition, as well as essays collected from the 10th anniversary edition.
Specifications - Hardcover. 208 pages. Measurement: 26 × 21 cm
Glorious Dust
steidl
Sean Scully uses pastels to create abstract works in emotive response to color. This beautifully produced two-volume set, which accompanies the traveling exhibition Wall of Light, which starts at the Phillips Collection in Washington, D.C. then travels to The Modern in Fort Worth, Texas and The Cincinnati Museum of Art in Cincinnati, Ohio, and ends at The Metropolitan Museum of Art in New York, brings together 100 of those subtle and ecstatic celebrations, along with four written pieces about them by Arthur Danto, who has been tracking Scully's work for a dozen years. Danto is Johnsonian Professor of Philosophy at Columbia, and has since 1984 also been the art critic for The Nation. His contributions here range from catalogue texts for some of Scully's most significant exhibitions to a Nation piece, and are brought together here for the first time, allowing readers to trace the history and development of a major artist in the writings of one of America's leading art critics. Among Danto's insights are that "Scully's historical importance lies in the way he has brought the greatest achievements of Abstract Expressionist painting into the contemporary moment." He also comes bearing secrets from the artist: "Pastel involves rubbing friable chalk over toothed paper, which in its nature confers a certain sparkling luminosity to the forms, and it is responsive to differences in pressure. The principle of pastel, Scully once told me, is that of putting on makeup.
Specifications - Hardcover. 232 pages. Measurement: 8.3 × 6.3cm
Tim Bavington
Dave hickey
Working within the strict format of the vertical stripe, Tim Bavington explores methods of designing his paintings, from intuition and chance to architectural systems and bar-coding. In recent years his interest has turned to music.
Specifications - Hardcover. 125 pages. Measurement: 10 × 8 cm
Patti Smith 1969-1976
Judy Linn
Before she was a world-renowned singer-songwriter and dubbed “The Godmother of Punk,” Patti Smith was a struggling poet posing for the lens of photographer Judy Linn. In intimate portraits of an artist as a young woman, Linn captures Smith at her most vulnerable, as a raw performer on the verge of becoming an iconic artist. Linn’s photographs offer a fascinating document of Smith’s maturation into one of the most influential women of her generation while also spotlighting her close relationships with other artists, including Robert Mapplethorpe and Sam Shepard. This book captures a moment lost in time, when a poet experimenting with music crossed paths with a young artist experimenting with photography. A must-have for anyone interested in the evolution of an artist, Patti Smith 1969-1976 showcases the collaboration between Smith and Linn that rewrote the definition of what it means to be a woman and an artist.
Specifications - Hardcover. 144 pages.
Phil Frost
Phil Frost
Initially conceived as a personal project on the walls of Sorrenti’s New York loft, the material in Draw Blood for Proof eventually found its way onto gallery walls as a large-scale installation piece in 2004. Papering the site from floor to ceiling with layers of collected snapshots, contact sheets, prints, Polaroids and ephemera drawn from over fifteen years of work, Sorrenti’s collection was a unique look into the artist’s diaristic creative process, going beyond ideas of public and private production.
Re-photographed as a series of 8x10 Polaroids and reconstituted here, Sorrenti’s montage finds yet another incarnation in book form. Here the images are both documentation and personal exploration, and the layout repositions Sorrenti’s photographs in a series faithful to their placement on the walls of the gallery. This gives the viewer a sense of the raw impact of the original installation but also creates new visual relationships between images as they move across spreads, redefining themselves and one another on the pages. Images obscured in one layout may appear fully and with renewed force on the next. The result is a free-associative experience like memory or dreams, rooted in Sorrenti’s methods but drawing on his cache of personal associations, and the act of perception becomes part of the work.
Specifications - Hardcover. 162 pages.